Jessica Perez thanks the Souls of the Purgatory beaus her old man Hugo didn’t see Sancho Pepe under the bed. She pays for that with this retablo.
Polanco, 1983
— tagged with “Polanco”
Jessica Perez thanks the Souls of the Purgatory beaus her old man Hugo didn’t see Sancho Pepe under the bed. She pays for that with this retablo.
Polanco, 1983
Retablo by Christopher Rodriguez Contreras
We thank Saint Sebastian for we met and live happily as a couple, and were able to make our relationship official to the society without hiding from it, because we love each other as we are and who cares what we do.
Sofia & Rubi
Polanco, Mexico City, 2007
Retablo by Alfredo Vilchis
It happened on May 17, 1998. When I was coming out a restaurant in Polanco and was going to drop my boss, four subjects blocked my way. They blindfolded me and took me to a suburb. They told me it was a kidnapping. I felt asleep, and the morning I woke up in a drainage in Nezahualcoyotl. Since I saw that my ears weren’t cut off and all my fingers are in place I gratefully dedicate this retablo to the Archangel of Justice for protecting me.
Retablo by Alfredo Vilchis
I, Ines Pantoja, pay with this exvoto giving thanks for the skeleton didn’t hurt me while I was sleeping. I was very much frightened because my old man mature wasn’t home.
Polanco, 1982
Retablo by Christopher Rodriguez Contreras
My father caught me when I was with Sonia. He was so furious he kicked me out of the house. I was all alone and implored the Virgin, and my father forgave me. He accepted me as I am, and I thank for that. I was born that way and cannot change.
Vaneza Rodriges
February 14, 1987
Polanco, Mexico
Retablo by Hugo Vilchis
Daniel thanks the Lord of Chalma for giving him a second chance after this terrible earthquake that took place on September 19, 2017, and for all help offered by Mexican people to be rescued alive, and for the help of the doggy Frida.
Polanco, Mexico City
Retablo by Daniel Vilchis
Armando gives thanks to Saint Sebastian for going well after getting his wiener cut off and now lives happily with Antonio who is the love of his life.
Polanco, Mexico City — February 14, 2001
Retablo by Daniel Vilchis
I, Zuleyma Rodriguez, pays the Virgin of Guadalupe with this retablo thanking for her husband Jose Salinas would get rid of this obsession of taking bath with the doorman.
Polanco, Mexico City, 1987
Retablo by Christopher Rodriguez Contreras
Saint Sebastian, we offer you this retablo about our love which was a secret. Now we can scream out loud about it because we got married and are very happy. We thank for being made for each other.
Saul and Tito
February 14, 2008. Polanco, Mexico
Retablo by Hugo Vilchis
Saint Sebastian, thank you because my father finally understood and accepted my sexuality. He let me live my life and blessed me.I understand him since I’m his only son, but it’s not my fault that I was born as I am. It’s my fate and I couldn’t do anything.
Ricardo
Polanco, Mexico City
June 7, 1980
Retablo by Alfredo Vilchis
Sofia met Reyna and, admiring her beauty, couldn’t do anything but think about her. She opened her feelings to Reyna, and Reyna said that she felt the same about Sofia. It was a surprise, so Sofia promised this retablo to Saint Sebastian for giving them an opportunity of meeting each other and living very happily together with no fear of being watched.
Polanco, Mexico City
March 21, 1992
Retablo by Alfredo Vilchis
When I was on vacation in Veracruz I met Martin. We had such a good time together that I fell in love with him. But I was afraid he would reject me. So I prayed to the Holy Child of Atocha for a miracle, and Martin agreed to live with me at my house. He knew that I’m not a woman, and still he accepted me as I am. Here I‘m showing the day we met. It is a year since that wonderful day.
“Don Juan” A. Flores
Polanco, Mexico
May 1979
Retablo by Alfredo Vilchis
I, Jesus Antonio, thanks Saint Sebastian because my wife understood my bisexuality and forgave me. Our marriage was saved, and I dedicate this retablo for that.
Polanco, Mexico, 2001
Retablo by Daniel Vilchis